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A Conversation with Satyajit Ray. Kripalani, Coonoor "Coming of Age: C45 H47 The Hindi Film: In order to set up a list of libraries that you have access to, you must first login or sign up. New York University Press, c As scholars and filmmakers extend their vision beyond national borders, a new area has emerged in Diaspora, Sinophone, Transregional , which further complicates the question of Nation and Nationalism in Chinese cinema.
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This article will focus on the burgeoning production of low-budget feature film comedies in Mainland China. I8 C53 City flicks: Taking as its focus the work of Dolby Laboratories in China, the article investigates how and why complex international dynamics underpin both high-end commercial Chinese sound designs and the audio tracks of foreign films released in the country. The making and unmaking of communist history, Yuejin Wang. Andrei Ustinov, San Francisco, Akvilon, , pp.
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Columbia University Press, It is not really like musical comedy, as melodrama takes the place of comedy and in place of music there are sublime songs. University of Maryland, D; C46 Chopra, Anupama. Shanghai in the early twentieth century was alive with art and culture. Stanford University Press,
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I59 Kaul, Gautam Cinema and the Indian freedom struggle: The Chinese Cinema Book. Bollywood Productions of the Nineties. The book concludes with a consideration of the role film festivals, women filmmakers, and emerging audiences play in the new world of global cinema. Widmer, Ellen, and David Der-wei Wang, eds. Lagaan is a precisely calibrated commercial entertainment, in which every stomach-tightening reversal of fortune and soaring emotional high point has been lovingly hand-tooled. I suggest how these intertwined concepts and practices created new aesthetic possibilities in s Shanghai and contributed to—as well as constrained—a distinctively cosmopolitan vision.
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